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Home / Articles / General / Dirt /  Mark Jordan, a lanky housepainter whose...
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Wednesday, January 13,2010

Mark Jordan, a lanky housepainter whose...

By Jordan Green
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Mark Jordan, a lanky housepainter whose long hair is cut in mullet, walked to the front of the assembly at the Glenwood Community Center in Greensboro dressed in a blue pullover, brown Carhartt pants and leather work boots.

He talked about the mother who taught him to accept people of all races, the mother who sent tracts about alcoholism to him in Hawaii because of an uncanny sense that he was drinking, the mother who he could always run things past. The mother who gave him advice that that he didn’t always want.

Crystal Lee Sutton’s family filled three rows of the small gymnasium. The other seats were filled with labor activists and officials from across North Carolina and beyond. Jordan wanted to remind them that his mother was more than the labor icon and working-class heroine, more than the inspiration for a Hollywood storyline.

“She said, ‘You know what: I didn’t do it for the money; I did it for the people,’” Jordan said. “People say, ‘Your mama’s the real Norma Rae. She’s rich.’ I say, ‘No, it ain’t about that.’” Sutton, who died last September at the age of 68 after a long illness, was honored in Greensboro by her labor union friends. Her name was praised by the president of the union for whom she organized in the 1970s, by the presidents of the North Carolina AFL-CIOs, by postal carriers and textile workers. A laudatory letter was read from workers in the Philippines who took inspiration from her. Many of the old labor hymns were sung.

Thanks to Hollywood, Sutton is mainly known today for her role in the successful JP Stevens organizing campaign in Roanoke Rapids. Stevens was a textile company whose economic clout and influence over its employees’ lives matched that of Cone Mills in Greensboro.

Sutton’s sass and militancy is encapsulated in a scene portrayed by Sally Fields in the 1979 movie Norma Rae in which she emerges from the boss’ office after being ordered off the premises for insisting on writing down the exact words of a racially divisive anti-union flier posted by management in the break room. She hastily scrawls the word “union” on a piece of cardboard, climbs on a table and slowly turns around as she waits for the police to arrive and arrest her.

John Wilhelm, the president of the UNITE-HERE union, said he didn’t know Sutton personally, but he heads the union for which she organized by virtue of a series of mergers in which the Amalgamated Clothing and Textile Workers Union was absorbed into UNITE, which in turn joined the Hotel Employees and Restaurant Employees International Union.

A labor chief endowed with a gruff and jovial voice and wearing a plain suit and tie, he talked about going to school in segregated Virginia as the son of a woman who campaigned for civil rights, about heading a union whose membership is majority female.

“It takes courage for any worker to stand up and fight the boss in an antiunion America,” he said. “But it takes so much more for women who have to challenge our society’s view of the role of women, not only in the workplace, but very often they have to challenge that view even in their own families, sometimes with cataclysmic results.” Sutton’s role in the Stevens campaign strained her marriage to the breaking point.

James Andrews, president of the North Carolina AFL-CIO, grew up in Warren County, next door to Roanoke Rapids, where Sutton came up in the labor movement. He spoke to the assembly in a booming black preacher’s voice, and turned to Jordan to acknowledge that leadership almost always exacts a toll of sacrifice on families. “You know these personal hardships and the pain better than anyone else in this room,” Andrews said. “She’s been there for you, brother, and she’s been there for us.”

Andrews’ counterpart, South Carolina AFL-CIO President Donna DeWitt, described what Sutton’s example meant to her as a young woman trying to find her way as a telephone operator in the rural South.

“I was a 17-year-old going to work, and I could relate to the struggles that she had,” DeWitt said. “And I was in a small town. These were the sixties. I’m so grateful that I can relate to her sense of injustice in the workplace, her concern for workers. ‘Wow,’ I would think. ‘Why didn’t I think of getting on a table with a sign that said ‘union’ and turning around in that telephone office with 225 operators? Why didn’t I think of that?’ And I’m so proud that she did. All of this was whirling in my head, and I was introduced to her. And then I said to myself: ‘Yes, I knew her.’ And I felt her pain, her struggle. She was an inspiration, and she’d given me the courage to be who I was, and who I am.”

Sutton’s life was not transformed by her fleeting brush with Hollywood fame, her longtime friend Richard Koritz said. Instead, she gained pleasure and esteem from friendships with people of ordinary means, and strength from withstanding insult and adversity. “

Crystal’s life was not filled with a lot of days like this,” said Koritz, a labor radical dressed in a suit who owns a brash voice that reverberates with Northern cadence. “Crystal’s life was filled with people talking shit about her behind her back, people ostracizing her. In the film Crystal’s character goes to her minister wanting to have an integrated union meeting at that church. And he says, ‘We’re sure going to miss you in the choir.’

Crystal had a wonderful singing voice. And Crystal said, ‘You’ll hear my voice rising up somewhere else.’ That’s a lot of pressure. I’m not one of those folks that is of the Christian persuasion, but all of you that are know the kind of tremendous pressure that being ostracized by your own can put on you to back you up, to push you back into your place.

“So to me, the most remarkable thing about Crystal Lee Sutton was her raw courage,” Koritz continued. “When you’re in a college environment it doesn’t take a heck of a lot of courage. A little bit maybe, to have the courage of your convictions. But when you’re in it from the working class and you threaten the profits of the people that run your town, your city, your state, then you know that if you’re going to act according to the courage of your convictions, then every dirty, rotten trick is going to be pulled on you. And some of it’s going to come from directions that you have no idea that it’s going to come.” !


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